In my last post I went through convulsions to derive the so-called Phrygian #6 from the major scale by means of an involved process. I left for later the question of what Phrygian #6 actually means.
I turns out you have to do is get the Phrygian mode and do what it says - sharp the 6th degree.
1. C Major scale with # of semitones between each degree:
C D E F G A B C
2 2 1 2 2 2 1
2. The 3rd mode of the major scale is the Phrygian:
E F G A B C D E
1 2 2 2 1 2 2
3. Sharp the 6th degree to "slide" the one-semitone interval over one degree:
E F G A B C# D E
1 2 2 2 2 1 2
4. Transpose to D:
D Eb F G A B C D
1 2 2 2 2 1 2
Having said that, I don't really like Phrygian #6. I wanted the regular Phrygian after all, because it sounds like it goes with my riffs better:
D Eb F G A Bb C D
1 2 2 2 1 2 2
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