First I had to make the headstock thicker for the tuners. 1/2" wasn't going to give the tuner nuts enough to grab onto. I epoxied a layer of 1/16" basswood onto the face of the headstock in an interesting fashion:
I figured I'd add to the front face of the headstock because I already had some extra string break angle over the standard Fender headstock. This addition is raised and might look interesting. Why not? We'll see how it goes.
Then I set about to fix up the mahogany body. First I sanded the glue drippings off the join lines. Then I opened up the neck pocket for high-fret access. Then I evened up the end of the body. Then, because the body is 2" thick, quite a bit thicker than your average, I graded down to the neck pocket. I did this with the bandsaw and a 1/2" skip-tooth blade. For the first time I felt I really understand what a band saw is all about - this was like doing geometry, like sculpting with a laser. The combination of easily-sawable wood with a blade perfectly suited to the task is a dream.
The end of the body is about 1" thick, which is the thickness of my S-500 under the neck pocket. I re-cut the countersinks for the neck bolts.
Doesn't that look cool?
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